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Vinyl

Vinyl love (revisited): Barenaked Ladies “Gordon”

(I started my Vinyl Love posts pretty much right after the launch of this blog to share photos of my growing vinyl collection. Over time, the photos have improved and the explanations have grown. And looking back at a handful of the original posts in this series, I found myself wanting to re-do some of them so that the posts are more worthy of those great albums. So that’s what I’ll be doing every once in a while, including today…)

Artist: Barenaked Ladies
Album Title: Gordon
Year released: 1992
Year reissued: 2017
Details: Black vinyl, 2 x LP, 180 gram Gatefold sleeve, 25th anniversary edition

The skinny: My original ‘Vinyl Love’ gallery on this record was posted back in November three years ago. In that piece, I blamed my pre-ordering of it during the prior summer on my friend Patrick, who is a pretty big fan of the Ladies and had alerted me to its reissue. I think it funny now that I had actually had to think about purchasing it. “Gordon” was a pretty big deal, especially in Southern Ontario, when it was released back in 1992. The rest of the world wouldn’t officially catch on to the four-piece from Scarborough until a few years later and by that point, I (and a lot of their other early diehard fans) had moved on. This debut, however, remains a classic and I had forgotten how great it was until I received this 25th anniversary reissue on two 180-gram discs in the mail. I feel like I’ve listen to these 15 songs more in the last three years than I had in the previous two decades. And yeah, I still know every word to every song. Every word. Every song. Classic.

Standout track: “Brian Wilson”

P.S. Those of you who are aficionados of early 1990s Canadian alt-rock might appreciate a photo I am planning on posting to my Instagram account tomorrow. Watch out for it.

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Vinyl

Vinyl love: Bright Eyes “Down in the weeds, where the world once was”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Bright Eyes
Album Title: Down in the weeds, where the world once was
Year released: 2020
Details: 2 x LP, indie exclusive, limited edition, red and orange vinyl, etched, die cut sleeve

The skinny: The 10th studio album by the indie rock trio led by Conor Oberst is the band’s first in nine years and it also happens to be their first album that I immediately liked and liked all the way through. In fact, I liked it so much that I managed to find a spot for it (at number eight to be exact) in my top ten favourite albums of the year. For me, it captured the mood and the uncertainty of the world and put it to music with which you can sing along. Multiple different pressings and presentations exist for this album. The one that I purchased has the die cut sleeve, a circle cut out of the cover and the insert to show off the fireball colours of the two discs, one red and the other orange. The second disc is also one-sided with the other side etched with the same falling stick man that graces the cover, arranged in spiralling concentric circles. Sweet stuff.

Standout track: “Mariana trench”

Categories
Vinyl

Vinyl love: Mew “And the glass handed kites”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Mew
Album Title: And the glass handed kites
Year released: 2005
Year reissued: 2020
Details: 2 x 180 gram, black and white marbled vinyl, Limited, Numbered 1450/2500, 15th anniversary expanded, RSD 2020 drop 2

The skinny: So here’s one of the four Record Store Day exclusive releases I managed to pick up from this year’s offerings. This 15th anniversary expanded edition of Mew’s fourth album and undisputed masterpiece, “And the glass handed kites”, was released by Music on Vinyl on the second (September) of the three ‘drops’ this year. The record is pressed onto two 180-gram slabs of white and black marbled vinyl, the second disc being of b-sides and alternate versions of the studio album’s tracks, and it includes a lovely 12-page booklet, as pictured above. This album was my introduction to the Danish band and what an introduction it was. An epic and big sound, songs that ebb and flow into each other, creating a sonic dreamscape that would fit snugly in the same solar system as Spiritualized, Ride, and Sigur Ros. Beautiful stuff and this pressing sounds just amazing, well worth the money.

Standout track: “Why are you looking grave?”